Tranquility in the Presence of Others
Nasser Taghvai, 1969, 84 min, Persian with English subtitles
Often seen as one of the indispensable films of the Iranian New Wave, Tranquility in the Presence of Others [Aramsh Dar Hozor-e Digaran] is a poignant and brisk cinematic adaptation of a story by leftist (and later exiled and banned) writer Gholam-Hossein Saedi, attacking the indecisiveness and empty rhetoric of Iranian intellectuals, as well as dissecting the patriarchal core of Iranian society. Banned after a single screening at the Shiraz Arts Festival of 1969 – a ban which was not removed until 1973 – it tells the story of a retired army general who travels to Tehran with his newlywed wife to visit his daughters, only to observe their unhappiness and casual affairs. As his mental condition deteriorates, the film’s tone shifts from sardonic to tragic. Tranquility in the Presence of Others delves into the anxieties of a country that is seemingly marching forward but retains a troubled, melancholic relationship with the past. The gender and social conflicts of Saedi's story are brilliantly translated into a bleak vision of Iranian society and the confusion of the middle classes. – Ehsan Khoshbakht