Fellow cinephiles,
This is an illustrated list (mostly with posters, when available) of the 100 films you must watch in Bologna during Il Cinema Ritrovato XXXIII. That would be possible, of course, if a day had 48 hours and a week, 10 days. Plus, if we were running this show for a full month instead of the usual 8 days. Needless to say, any number of these seen, you'll have some essential images to live with for the rest of the year.
Ehsan Khoshbakht
SETTING THE MOOD FOR ICR 2019
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| 100. Le Grand Méliès (Georges Franju, 1952) |
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| 99. Two films (in 16mm) by Maria Lassnig |
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| 98. De quelques évènements sans signification (Mostafa Derkaoui, 1974) |
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| 97. Arabesques on a Pirosmani Theme (Sergei Parajanov, 1985) |
LOVE IN ITALY
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| 96. Au dela des grilles (René Clément, 1949) |
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| 95. Street Angel (Frank Borzage, 1928) |
THE SCREEN COUPLES WHO WILL ROCK YOUR SOUL
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| 94. Struggle in the Valley (Youssef Chahine, 1954) | Faten Hamama/Omar Sharif |
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| 93. Indiscreet (Stanley Donen, 1958) | Ingrid Bergman/Cary Grant |
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| 92. Destry Rides Again (George Marshall, 1939) | Marlene Dietrich/James Stewart |
ALTERNATIVE COWBOYS
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| 91. The Bravados (Henry King, 1958) |
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| 90. Le retour d'un aventurier (Moustapha Alassane, 1966) |
IN CASE YOU CARE ABOUT DURATION
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| 89. CzechMate: In Search of Jirí Menzel (Shivendra Singh Dungarpur, 2018) | This documentary is 7 hours long |
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| 88. Een avontuurtje in 't luchtruim (Alex Benno, 1919) | This film is two minutes long |
GO EAST
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| 87. Kaliya Mardan (Phalke Dhundiraj Govind, 1919) |
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| 86. Der große Mandarin (Karl-Heinz Stroux, 1949) |
FOX DOUBLE BILL
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| 85. Hello, Sister! (Erich von Stroheim, Edwin Burke, Alfred Werker, 1933) |
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| 84. Surrender (William K. Howard, 1931) |
TWO MOST BEAUTIFUL STILLS
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| 83. Ouaga, capitale du cinéma (Mohamed Challouf, 2000) |
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| 82. Praesidenten (Carl Th. Dreyer, 1919) |
STILLER DOUBLE BILL
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| 81. Sången om den eldröda blomman (Mauritz Stiller, 1919) |
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| 80. Herr Arnes pengar (Mauritz Stiller, 1916) |
WHAT LAND MEANS
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| 79. Al-Ard (Youssef Chahine, 1969) |
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| 78. The Winning of Barbara Worth (Henry King, 1926) |
SETTING THE SCORES, POST-COLONIAL STYLE
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| 77. Al-Nasser Salah Ad-Din (Youssef Chahine, 1963) |
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| 76. Les Bicots-Nègres vos voisins (Med Hondo, 1974) |
EDUARDO ON MARRIAGE
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| 75. Ragazze da marito (Eduardo De Filippo, 1952) |
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| 74. Marito e moglie (Eduardo De Filippo, 1952) |
IN MEMORY OF PIERRE RISSIENT
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| 73. Seong Chun-hyang (Shin Sang-ok, 1961) |
GENDER STUDIES WITH FUN
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| 72. The Warrior’s Husband (Walter Lang, 1933) |
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| 71. L'ape regina (Marco Ferreri, 1963) |
CRIME AND SOMETIMES PUNISHMENT
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| 64. Aida (Clemente Fracassi, 1953) |
A FAR OUT CINEMA
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| 63. El Topo (Alejandro Jodorowsky, 1970) |
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| 62. Judex (Georges Franju, 1963) |
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| 61. Spring Night, Summer Night (Joseph L. Anderson, 1967) |
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| 60. The Devil Thumbs a Ride (Felix E. Feist, 1947) |
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| 59. The Haunted House (Buster Keaton and Edward F. Cline, 1921) |
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| 58. The Masque of the Red Death (Roger Corman, 1964) |
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| 57. Evil of Dracula (Martha Colburn, 1997) |
FEMINISTS BEFORE FEMINISM
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| 56. Back to God’s Country (David Hartford, 1919) |
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| 55. Becky Sharp (Rouben Mamoulian, 1935) |
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| 54. She Goes to War (Henry King, 1929) |
DON'T LEAVE BOLOGNA WITHOUT SEEING THESE
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| 53. Order na aresht (Heorhii Tasin, 1926) |
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| 52. Baaara (Souleymane Cissé, 1978) |
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| 51. 3 Bad Men (John Ford, 1926) |
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