Elegantly dressed in his typical late-period style of bowtie and horn-rimmed glasses, resembling a professor of American history, King reminisces on half a century in “the strangest business in the world”. He talks about his love for the rural American landscape (“I like the countryside of any country”); discovering Tyrone Power and Alice Faye; overcoming the limitations of early sound film by moving to Florida to shoot his first talkie Hell Harbour; Zanuck’s issues with his moustached heroes (Power and Peck); the translation of spirituality in the movies through the use of light (“I want a holy light here,” he asked the cameraman Arthur Miller in The Song of Bernadette); his years in Paris and meeting Hemingway, which led to King directing a series of high-profile films focused around 20th-century American authors.
Broadcast by the BBC in May 1978, there are facts to learn from this short and informative documentary but also more personal lessons to cherish, such as when King says, “I feel every emotion that you see in a picture has passed through the director’s mind and whether he shows it or doesn’t, the emotion is there”, reminding us that, most of the time, he actually felt what he filmed, and filmed what he felt. — Ehsan Khoshbakht
KING OF THE MOVIES (1978)
KING OF THE MOVIES (1978)
Director: Philip Chilvers
Camera.: Bill Matthews. Music: Victor Jamison.
Camera.: Bill Matthews. Music: Victor Jamison.
With Henry King. Narrated by Martin Jarvis. Producer.: Judy Lindsay for BBC. D.: 41 mins. Colour (interview & film footage)/Black&White (film footage)
O maior!
ReplyDelete