Tehran’s newly built modernist buildings shown during the title sequence of Reghabat dar Shahr [Rivalry in the City] (Uncredited, 1963)
This is the censored and re-edited version of Jonob-e Shahr [South of the City] (Farrokh Ghaffari, 1958)
Tehran’s newly built modernist buildings shown during the title sequence of Reghabat dar Shahr [Rivalry in the City] (Uncredited, 1963)
This is the censored and re-edited version of Jonob-e Shahr [South of the City] (Farrokh Ghaffari, 1958)
Monogram Pictures, 1942 | 1725 Fleming Street in East Hollywood |
From an ad campaign, May 1942:
MONOGRAM'S 10th ANNIVERSARY
Promise vs. Performance
A promise is a sacred obligation. Monogram Pictures will not tolerate a promise unfulfilled.
A promise is only as good as the one who makes it. As men are judged by what they have done in the past, so we of Monogram Pictures, with a background of promises fulfilled, sincerely ask for your support in what we are offering for the season 1942-43.
We are young in years, but old in showmanship. We have approached the coming year with a determination to make this MONOGRAM'S GREATEST YEAR!
Under Your Skin |
NEVER ON SUNDAY is a series of screenings of rare classics, archive masterpieces, obscure delights and forgotten gems taking place the last Sunday of each month at Close-Up Cinema in east London. The first screening, on January 30, is dedicated to Mikko Niskanen's Under Your Skin. Tickets here.
Käpy selän alla [Under Your Skin]
Dir: Mikko Niskanen, 1966, 99 min, 35mm
Directed by Mikko Niskanen, an indispensable figure of Finnish new cinema of the 1960s, Under Your Skin is one of the most significant films in the history of Finnish cinema which, in the spirit of New Wave, embraces a whole new generation of Finns dreaming of "a universal sense of responsibility." (Peter von Bagh). The tender and real depiction of this new politically-conscious generation, as well as fresh cinematic ideas employed, were warmly welcomed by both the Finnish audiences (making the film the second box office hit of 1966) and the critics, the latter leading to the film winning six Jussi awards, the Finnish equivalent of the Oscar.