Since late 2015, I have been busy working on a documentary about Iranian pre-revolutionary mainstream cinema called Filmfarsi.
In the last 18 months or so, the film has been shaped up, shortened (from an "epic version" which ran nearly for three hours), but also "tested" during two work in progress screenings at the cinematheque of Copenhagen (played to a full house) and the Stadtkino in Basel, Switzerland.
The third sneak preview of the film will be at the Essay Film Festival in London and can be booked here.
Yusef Sayed on the film:
"Filmfarsi was the cinema of a nation with a split personality”, says filmmaker Ehsan Khoshbakht in this film-critical history of Iran under the Shah.
Khoshbakht’s found-footage essay film Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution. These films defined Iranian cinema in the 1960s and 70s, when the industry shared an equal percentage of the market with the USA. Little more than VHS rips remain.
Khoshbakht here uncovers that which was thought destroyed. A cinema of titillation, action and big emotions, which also presented a troubling mirror for the country, as Iran struggled to reconcile its religious traditions with the turbulence of modernity, and the influences of the West. There are remakes and rip-offs, even a Persian Vertigo. The often cheap, sleazy and derivative films offer an insight into Iran’s psyche.
