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| Director Gjon Mili on the set of Jammin the Blues with bassist Red Callender and saxophonist Lester Young |
Developing alongside cinema in the twentieth century, recorded jazz, like film, epitomised art in the age of mechanical reproduction. The two art forms complemented each other too. “Jazz was never just a music,” Nicolas Pillai claims in Jazz as Visual Language, “live performance promised spectacle.” In this regard, cinema helped us to better understand jazz; to see Thelonious Monk playing for instance, the gestures made with his elbows and feet, is a fundamental part of the jazz experience.
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