Red & Black: The Hollywood Blacklist Podcast

 

This six-part series on the Hollywood Left and the Blacklist is my first foray into the world of podcasting.

Written and produced for the Locarno Film Festival – where I have also curated a major retrospective on the same subject for the forthcoming 2026 edition – the series is narrated by Eve P. Thompson and sound-edited by Rob Szeliga.

The episodes are:

1. The Left on the Rise

2. From Hot War to Cold War: Years of Anxiety

3. The Cinema of the Left and the Radical

4. HUAC Attacks!

5. Blacklisted and Rejected: Fronts and Exiles

6. The New Left and Coming Out of Darkness

Into the Red River: Adolphe Menjou Turns on John Cromwell

John Cromwell's Caged (1950) will play as part of Red & Black: Hollywood Left and the Blacklist at 79th Locarno Film Festival, August 2026. — EK

Hearings regarding the Communist Infiltration of the Motion Picture Industry

Tuesday, October 21, 1947

House of Representatives, Committee on Un-American Activities, Washington D.C.

Humphrey Bogart: "I'm No Communist!"

Transcribed from Photoplay, March 1948, Vol. 32, No. 4. A segment of this I have used in my upcoming, six-episode podcast about Hollywood Blacklist, to be released in June 2026. — EK

As the guy said to the warden, just before he was hanged: “This will teach me a lesson I’ll never forget.”

No, sir, I'll never forget the lesson that was taught to me in the year 1947, at Washington, D. C. When I got back to Hollywood, some friends sent me a mounted fish and underneath it was written: "If I hadn't opened my big mouth, I wouldn't be here."

The New York Times, the Herald Tribune and other reputable publications editorially had questioned the House Committee on Un-American Activities, warning that it was infringing on free speech. When a group of us Hollywood actors and actresses said the same thing, the roof fell in on us. In some fashion, I took the brunt of the attack. Suddenly, the plane that had flown us East became "Bogart's plane," carrying "Bogart's group." For once, top billing became embarrassing.

Red and Black: Hollywood Left and the Blacklist

Red and Black: Hollywood Left and the Blacklist is the title and the theme of the upcoming retrospective I have curated for the 79th edition of Locarno Film Festival in Switzerland.

The retrospective presents not only the key titles of the blacklist period but also traces the wartime origins of concern over communist infiltration in Hollywood and its international aftermath. The programme features nearly 50 titles, including feature films, shorts, documentaries, newsreels, and animation.

This retrospective differs from previous surveys of the same subject in three ways:

The Brave Bulls (Robert Rossen, 1951)

The new 4K restoration of the film – courtesy of Sony/Columbia – plays on November 8 at Harvard Film Archive as part of the retrospective co-curated by Haden Guest and me, Columbia 101: The Rarities. — EK

The Brave Bulls was Robert Rossen’s final film in a cycle of four complex explorations of corruption and fear (Johnny O'clock, The Undercover Man, All the King's Men) that he either directed or wrote for Columbia. A brutally frank bullfighting drama, the film follows a matador (Mel Ferrer) who, beginning to crack under the pressure of his profession and a newfound fear of the ring, seeks to reclaim control over his life. Anthony Quinn plays a typically Rossenian character—a charismatic manipulator who, like Broderick Crawford in All the King’s Men, holds the power to both redeem and destroy.